Monday, December 31, 2007

Amazing Grace

Amazing Grace - 2006

Amazing Grace is the story of William Wilberforce's 20 year British political fight to end the business of slavery. The slave trade was a very lucrative money maker and intrenched in the British economy. During the early 1800's, slavery was integrated into the economies of Britain, France, the West Indies, America, Austria and Portugal - primarily to fuel the sugar industry.

Wilberforce has a promising career ahead of him in the British Parliament when he has a Christian conversion. Convinced by his friend William Pitt to remain in government service instead of church service, he takes on the formidable challenge of taking on the slave trade. To William, the moral imperative of stopping the horror of slavery surpasses any economic concerns that may ensue. Surely many will see economic ruin, jobs will be lost and businesses will crumble. None of these concerns stop William for even a pause.

William's wife Barbara, played by Romola Garai, illustrates the wonderful adage that behind every good man is a good woman. She encourages him, supports him and loves him throughout hid life. At one point when William feels as if his work is going nowhere she tells him: "It seems to me, that if there is a bad taste in your mouth, you spit it out. You don't constantly swallow it back."

It was interesting to see Rufus Sewell in the role of Thomas Clarkson, Willberforce's colleague in the war on slavery. I last saw him 1998's Dark City. He does a powerful job here and is mesmerizing to watch.

The movie shows an interesting molding of history and faith working together. There is an appearance from John Newton, a slave trader turned monk, and writer of the song and movie title, Amazing Grace. He plays a pivotal role in William's life by persuading him to serve God where he was instead of entering the ministry.

History is never boring when told well and this story is never boring. Having watched the movie has prompted me to research the era further. Explaining my new interest in abolition history to my coworkers has caused a few quizzical looks.

But above all this is a movie with strong messages about struggle in life, about staying the course, fighting the good fight and about being salt and light in the world.

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Friday, December 28, 2007

TGIF Famous Shamus


Famous Shamus from down the lane-us

Saturday, December 22, 2007

AFI Announces 2007 Awards

The American Film Institute has released their 2007 Film Awards. They named 10 this year.

I'm not sure how Knocked Up got in there. But at any rate, their picks are always worth checking out. Look for Oliver 40274 reviews on these movies during the coming months.

How about you? Do agree with these picks?

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Friday, December 21, 2007

TGIF Think Spring

Sure its Christmas time... but colorful spring is only 4 month away...

Sunday, December 16, 2007

Horror Movie Preview

This is a trailer for a Spanish language horror movie. The trailer is brilliant. We don't see any of the actual movie. We see instead the looks on people's faces that are watching the movie...

 

 

Even if you are not a fan of horror movies you can see how this would be an effective grab for those who are.

 

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Saturday, December 15, 2007

Fellini's Juliet of the Spirits

Juliet of the Spirits - 1965

"For 8 1/2, I wanted to do a polydimensional portrait of a man. For Juliet of the Spirits, I am getting closer to what interests me. The cinema is the unique and perfect tool to explore with precision the inner landscapes of the human being. I've always wanted to do an extrasensorial tale, born entirely of the imagination. This should be it."

---Federico Fellini

Fellini's 1963 masterpiece, 8 1/2, was (arguably) an autobiographically inspired work. When Juliet of the Spirits arrived it aroused much of the same controversy. "Is this based on the Fellini marriage?" critics asked. In fact, the films star, Giuletta Masina, is Fellini's actual wife. Autobiographical or not, Juliet of the Spirits showcases many of Fellini's recurring cinematic themes; complex viewpoints, subjective shots turning into objective shots, dream sequences that reveal character and the fixation on long parades of characters. The dream sequences show a representation of what Juliet is thinking and feeling.

This is Fellini's first film in color, and he uses it to paint the film on the screen. Color is a character in this film. Consider how some characters are presented at various times with a completely unreal color to their face. This is intentional, taking the viewer in and out of reality and waking fantasy.

Juliet, the main character, is a shy, chain smoking, romantically naive housewife. The movie utilizes quick cutting scenes and a nervous tempo to show Juliet's disordered state of mind. Her neighbor is the flamboyant Suzy (Sandra Milo), who is Juliet's personality opposite. As Juliet is drawn to Suzy's company, she is tormented by it as well.

At one point, Fellini doesn't show us Juliet's face until her husband, Giorgio, steps into her presence. Symbolically, she doesn't exist outside of her husband. Juliet knows he is a philanderer but emotionally she cannot become Juliet.

Roger Ebert and others consider this movie to be the beginning of the decline of Fellini's mastery of filmmaking. I'm a big Ebert fan but I disagree. This is the first Fellini film I saw and remains my personal favorite.

It is hard to imagine anyone who has seen Juliet of the Spirits will ever forget the images and the sets, costumes and color. The sheer beauty of this movie is the movie.

 

Related posts:

Fellini's 8 1/2

 

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Monday, December 10, 2007

Monkee Embarassment

How many of you remember the Monkees? If you understand what Oliver 40274 means then you were probably a Monkees fan. But watch the show lead in below and be embarrassed, very embarrassed...